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dc.contributor.authorPaladian, Kristiniia
dc.date.accessioned2021-11-17T20:40:36Z
dc.date.available2021-11-17T20:40:36Z
dc.date.issued2020
dc.identifier.citationPaladian K.Modernism și tradiționalism în lirica lui Lucian Blaga. Зміна лінгвістики і зміни в лінгвістиці Матеріали XV Міжнародного колоквіуму мовознавчих наук «Еудженіу Кошеріу». Чернівці: нац. ун-т, 2020. С. 469-478uk_UA
dc.identifier.isbn978-966-423-579-9
dc.identifier.urihttps://archer.chnu.edu.ua/xmlui/handle/123456789/1437
dc.description.abstractIn the article the problem of classical forms in Lucian Blaga’s poetry with non-classical structure is tackled. It is shown that for the novelty in the structure of his oeuvres the poet referred to free usage of classic meters with a very shattered number of feet in the poem, sometimes simply playing with shorter and longer lines, placing them at random, adding syllables or a line. It has been found out that syllabo-tonic forms create unsymmetrical forms in the limits of one meter; heterorhythmic structures in the form of binary or ternary rhythms with free anacrusis, heterometric forms with the usage in one verse the lines written in different syllabo-tonic meters and heteromorphic constructions in which syllabo-tonic verses are combined with pure tonic forms.uk_UA
dc.description.sponsorshipРумунської та класичної філологіїuk_UA
dc.language.isootheruk_UA
dc.publisherЧернівецький національний університетuk_UA
dc.subjectclassical versificationuk_UA
dc.subjectmodern versificationuk_UA
dc.subjectsyllabo-tonic metersuk_UA
dc.subjectfree formsuk_UA
dc.subjectheterorhythmic structuresuk_UA
dc.subjectheterometric formsuk_UA
dc.subjectheteromorphic verseuk_UA
dc.titleMODERNISM ȘI TRADIȚIONALISM ÎN LIRICA LUI LUCIAN BLAGAuk_UA
dc.typeArticleuk_UA


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