| dc.contributor.author | Paladian, Kristiniia | |
| dc.date.accessioned | 2021-11-17T20:27:57Z | |
| dc.date.available | 2021-11-17T20:27:57Z | |
| dc.date.issued | 2015 | |
| dc.identifier.citation | Paladian K. Interaction of classical and non-classsical forms in Tristan Tzara’s poetry. Les Cahiers / Notebooks / Caietele TRISTAN TZARA. Moineşti, 2015. TOME 5. P. 142-149 | uk_UA |
| dc.identifier.uri | https://archer.chnu.edu.ua/xmlui/handle/123456789/1433 | |
| dc.description.abstract | The article is devoted to the peculiarities of poetic forms of Tristan Tzara. His verse is rather complex to describe; it changes in evolution without giving the reader a chance to anticipate any rhythmic expectations. The poet’s verses are abundant in various non-classical forms – dolnik, taktovyk, and accent verse. As for classical forms they are used in the form of not fully stressed dolnik. At the same time we must understand that dolnik is just a transitional metric form between syllabic-tonic and tonic. Then the dolnik presence in vers libres seems to be a manifestation of the classical tendency. It gives vers libres a chance to be drawn to ordering and in some cases it restrains some rhythmic shifts in the verse. | uk_UA |
| dc.description.sponsorship | Румунської та класичної філології | uk_UA |
| dc.language.iso | en | uk_UA |
| dc.subject | a classical poem | uk_UA |
| dc.subject | a non-classical poem | uk_UA |
| dc.subject | iambus | uk_UA |
| dc.subject | trochee | uk_UA |
| dc.subject | dolnik | uk_UA |
| dc.subject | taktovyk | uk_UA |
| dc.subject | accent verse | uk_UA |
| dc.title | INTERACTION OF CLASSICAL AND NON-CLASSICAL FORMS IN TRISTAN TZARA’S POETRY | uk_UA |
| dc.type | Article | uk_UA |
