| dc.contributor.author | Nikoriak, Natalia | |
| dc.contributor.author | Matiychak, Aliona | |
| dc.date.accessioned | 2022-06-01T10:50:26Z | |
| dc.date.available | 2022-06-01T10:50:26Z | |
| dc.date.issued | 2022 | |
| dc.identifier.citation | Natalia Nikoriak, Aliona Matiychak. Intermediality as a Genre Dominant of the Screenplay. Scientific Collection «InterConf», (109): with the Proceedings of the 2 nd International Scientific and Practical Conference «Concepts for the Development of Society’s Scientific Potential» (May 19-20, 2022). Prague, Czech Republic: Author-publishers miscellaneous, 2022. P. 184-189. | uk_UA |
| dc.identifier.issn | 2709-4685 | |
| dc.identifier.uri | https://archer.chnu.edu.ua/xmlui/handle/123456789/4407 | |
| dc.description.abstract | The article analyzes the screenplay "Check Your Watches" by Lina Kostenko and Arkadiy Dobrovolskiy in the context of intermedial studies. This text appears as an original intermedial genre construct, presenting a synthesis of two types of art (literature and cinema), but it also actively appeals to other arts: painting, sculpture, theater, music and, intertextually, to literature. Artistic codes permeate different levels of the text: the title complex, personosphere, composition, presenting the versatility, uniqueness and aesthetic level of the scriptwriters. The "decoding" of the screenplay artistic codes takes a leading position in the appropriate conceiving of the authors’ intentions and overall understanding of the screenplay ideological subtext, that testifies to its multi-layered, extremely powerful receptive potential. | uk_UA |
| dc.description.sponsorship | Кафедра зарубіжної літератури та теорії літератури | uk_UA |
| dc.language.iso | en | uk_UA |
| dc.subject | intermedial code | uk_UA |
| dc.subject | intertext | uk_UA |
| dc.subject | screenplay | uk_UA |
| dc.subject | genre | uk_UA |
| dc.subject | reception | uk_UA |
| dc.title | Intermediality as a Genre Dominant of the Screenplay. | uk_UA |
| dc.type | Article | uk_UA |
