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Intermediality as a Genre Dominant of the Screenplay
| dc.contributor.author | Matiychak, Aliona | |
| dc.contributor.author | Nikoriak, Natalia | |
| dc.date.accessioned | 2022-06-22T17:28:02Z | |
| dc.date.available | 2022-06-22T17:28:02Z | |
| dc.date.issued | 2022-05 | |
| dc.identifier.citation | Nikoriak, N., Matiychak, A. (2022). Scientific Collection «InterConf», (109). Prague, 184-189. | uk_UA |
| dc.identifier.issn | 2709-4685 | |
| dc.identifier.uri | https://archer.chnu.edu.ua/xmlui/handle/123456789/4509 | |
| dc.description.abstract | The article analyzes the screenplay "Check Your Watches" by Lina Kostenko and Arkadiy Dobrovolskiy in the context of intermedial studies. This text appears as an original intermedial genre construct, presenting a synthesis of two types of art (literature and cinema), but it also actively appeals to other arts: painting, sculpture, theater, music and, intertextually, to literature. Artistic codes permeate different levels of the text: the title complex, personosphere, composition, presenting the versatility, uniqueness and aesthetic level of the scriptwriters. The "decoding" of the screenplay artistic codes takes a leading position in the appropriate conceiving of the authors’ intentions and overall understanding of the screenplay ideological subtext, that testifies to its multi-layered, extremely powerful receptive potential. | uk_UA |
| dc.description.sponsorship | Іноземних мов для гуманітарних факультетів | uk_UA |
| dc.language.iso | en | uk_UA |
| dc.publisher | Scientific Collection «InterConf» | uk_UA |
| dc.subject | intermedial code, intertext, screenplay, genre, reception | uk_UA |
| dc.title | Intermediality as a Genre Dominant of the Screenplay | uk_UA |
| dc.type | Article | uk_UA |
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