Показати скорочений опис матеріалу

dc.contributor.authorПаранюк, Дан
dc.contributor.authorТичініна, Альона
dc.date.accessioned2023-10-08T10:25:41Z
dc.date.available2023-10-08T10:25:41Z
dc.date.issued2023
dc.identifier.citationParanyuk D., Tychinina А. The Book That Was Destroyed in 1969: the Transgression of Literary and Pictorial Narratives by Ivan Drach and Tetyana Yablonska. XVI International Symposium – Socialist Realism in Literature and Art. Tbilisi: Georgian Comparative Literature Association, September 27-29, 2023. P. 68-70.uk_UA
dc.identifier.urihttps://archer.chnu.edu.ua/xmlui/handle/123456789/7474
dc.description.abstractSince socialist realism mostly appears as a complete aesthetic and cultural paradigm, which is closely related to the previous historical stage, its experience seems to be both relevant and final at the same time. In Ukrainian culture, socialist realism is regarded as one of the most controversial periods when art became an ideological tool of influence. What is more, it is impossible to comprehensively assess the XX century Ukrainian literature without studying the canon of social realism. After Stalin’s death, socialist realism did not disappear at the stage of “decanonization” (1953-80s, according to G.Gunther); instead, its canon expanded, loosened, and got deformed.uk_UA
dc.language.isoenuk_UA
dc.publisherGeorgian Comparative Literature Associationuk_UA
dc.subjectSocial Realism, Ivan Drach, Tetyana Yablonskauk_UA
dc.titleThe Book That Was Destroyed in 1969: the Transgression of Literary and Pictorial Narratives by Ivan Drach and Tetyana Yablonska.uk_UA
dc.typeThesisuk_UA


Долучені файли

Thumbnail

Даний матеріал зустрічається у наступних фондах

Показати скорочений опис матеріалу